What are the key trends of the modern theatre process? How is it developing and changing at the beginning of the XXI century? How are changing the way of watching and the place of a viewer? How do theatre and «related arts» influence each other and is it possible to alter boundaries between them in the era of total mergers and acquisitions? And how could it happen that the two leading figures of European theatre today have become an artist Romeo Castellucci and a composer Heiner Goebbels?
Dmitry Renansky – curator, theatre expert and music critic. Chief editor of the theatre department of the internet portal COLTA.RU, a regular contributor to the PH Commersant. Assistant artistic director of «theatre post», co-founder of the creative association «Opergruppa» Worked at the Mikhailovsky Theatre and the Taganka Theatre. In 2013–2016 – a deputy director of the New Stage of Alexandrinsky Theatre.